From Publishers Weekly
After its 1972 publication, this sprawling, modernist Great American Novel-style epic garnered its author critical comparison to Faulkner, for its saga of rural dynastic decline; Salinger, for its mood of youthful alienation; and Joyce, for its labyrinthine, cryptically allusive, stream-of-consciousness renditions of the private psyche. The episodic coming-of-age narrative follows budding writer Dawes Williams from boyhood on his grandfather's greyhound ranch, through a feckless Iowa adolescence of drinking and joyriding, to a mentally unstable adulthood in which, through rants against propriety, positivism and the establishment and a terminal bout of countercultural dissoluteness in Mexico, he becomes the voice of the 1960s' lost generation. The real action, though, is the development of Dawes's writerly sensibility, his-i.e., the author's-knack for transmuting the dross of reality into the gold of literary metaphor. But Mossman's own lyrical, metaphorical sensibility tends toward pseudo-profundities ("[h]er body was an inward fall, a deep spiral of musky sea lying easily within itself"), abstractions ("[s]he had a metaphysical eye, as blue as perfect nightmares"), and a synesthetic scrambling of sensory categories ("[h]e felt he could not listen to the light anymore, that it stood off in the distance, wordless with impossible opinion"). Long out of print before this reissue, the novel has generated a cult following among those who find in its inchoate but intense imagery the very portrait of the young artist's soul.
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What Readers Say

An amazing book! Ulysses meets a Confederacy of Dunces,
By  "terryandcarolyn" (Westminster, CO)
 
I, like a lot of people, read this book after seeing "Stone Reader." Basically, I wanted to know what kind of book would inspire such a great movie. The answer to that is complicated, but the upshot is that I enjoyed reading this book very much.

The three parts of this book have very different styles from each other. The first part reads more like poetry than prose. There are rich descriptions that leave more of an impression rather than a telling. The second part focuses on dialog with much fewer descriptions. I found the dialogs to be very real. The third part uses out-of-time-line narrative, writings (including the start of a novel) by the main character, letters from other characters, and other techniques. The overall impression is that this novel is like James Joyce's Ulysses: a massive and well-constructed work. I am amazed that a first-time writer could create this book.

As to the story, there can be no doubt that the main character has few redeeming values; he is difficult to like. He and his "friends" (does he really form any real relationships with anyone?) do many violent and vicious things to themselves and others. How can you like that? In some ways, though, Dawes Williams reminds me of Ignatius Reilly in "A Confederacy of Dunces". Both characters are quite repulsive. Ignatius has none of Dawes' violent nature. Where Ignatius' life seems to always backfire on him, Dawes' life seems to result from Dawes' explicit attack on it. Repulsive, violent, vicious--what's to like about that?

For me, though, I like the book. I find the construction and prose to be incredible. There is a wit and creativity behind this book I admire even if I don't admire the characters in it.
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A Remarkable and Unforgettable Book
By Steve Koss (New York, NY United States)

 Let me begin by saying that, had I discovered this book on my own, without Mark Moskowittz's STONE READER documentary, I would have been recommending it to every serious reader I know. I approached it with some reservation, expecting to find an overhyped work that had gone out of print for good reason, but I was utterly captivated within the first five pages. Fifty pages in, I was saying "Wow!"  ...read more.


A truly amazing piece of work. Funny, though provoking, highly original. I'll never forget those characters. Don't let the length scare you away. It reads fast.   ...read more.


Wonderful Wonderful book
By     N. Soldofsky

This novel blew me away. Some may complain about the unorthadox word choices, but I totally dug that. It's odd, but it works. I didn't just manage to navigate through it, I loved it. There's nothing quite like it in fiction. Probably only in poetry you will find such language. Don't let what people say about how difficult the writing is scare you away from this. If you're having trouble with it, just hang in there, you'll get use to it, and will probably be in love with the novel by page 150.     ...read more